In this final part of my study of Robbe-Grillet’s early fiction, with today being what would have been his 95th birthday, I’ll look at the novel which, for me, sees him reach the high-point of the nouveau-roman; and a series of experimental (in the true sense of the word) short fictions. By the time of … Continue reading Alain Robbe-Grillet: early fiction (part 3)
In Part 1 of this essay I looked at Robbe-Grillet’s first two novels (A Regicide and The Erasers), in which it is easy to trace the development of the techniques and motifs that he would refine and re-use throughout his career. The first novels are in many ways conventional, and this is because the techniques … Continue reading Alain Robbe-Grillet: early fiction (part 2)
If the nouveau roman (New Novel) had a driving force, it was Alain Robbe-Grillet (1922-2008). The nouveau roman was an influential – if rarely best-selling – literary movement in post-war France. A number of writers, generally but not exclusively connected to the publishers Editions de Minuit, sought appropriate ways to take fiction forward in a … Continue reading Alain Robbe-Grillet: Early fiction (part 1)
“Wyrd and other derelictions” is a brave, not always successful, but nonetheless very welcome collection of experimental horror shorts from Adam Nevill, author of Ritual.
The Nouveau Roman was a French Modernist literary movement of the 1950s whose antecedents were Joyce, Beckett and Proust. A common theme among the works produced by those writers grouped as nouveax romanistes were “discontinuity, rupture, difference and revolution”¹, and they defined themselves against “a dominant culture in thrall to a staid and anachronistic concept … Continue reading The “Nouveau Roman”: where to start?
Any discussion of Yukio Mishima’s life and work has to deal, at some point, with his death. A right-wing nationalist appalled by the Western influence on Japanese society and culture, he tried to lead his own personal militia in a coup. It failed and Mishima immediately committed seppuku – ritual suicide – before (following the … Continue reading The Japanese Proust? Yukio Mishima
“The places I find myself interested in are ones that service other places, like refineries, electricity generators, processing plants and waste areas. Generally they are hidden areas, one way or another.” The Scottish artist Carol Rhodes, who died in 2018, created a body of work that’s of interest to anyone involved in the crossover area … Continue reading Carol Rhodes
The Man Booker Prize is 50 years old in 2019. In that time, only one Scottish author has won. In 1994, in the prize’s 25th anniversary year James Kelman’s How Late It Was, How Late became the most controversial – and least likely – victor. The Booker Prize (as it was then called) is sometimes … Continue reading James Kelman
Alma continue their attractive re-packaging of the Calder backlist1 with The Garden Square, one of the lesser-known gems by Marguerite Duras, best known for The Lover (l’Amant) and the screenplay for Alain Resnais’s Hiroshima Mon Amour. Although grouped with the 1950s French nouveau roman, her work eschews the formal innovation of Butor or Alain Robbe-Grillet. … Continue reading Marguerite Duras
I don’t know where he finds the time. Adam Scovell is a film-maker, has just completed his PhD, writes articles for the BFI, runs the award-winning Celluloid Wicker Man blog, writes short stories, wrote the definitive book on Folk Horror and has now published his first full-length work of fiction. The short fictions on his … Continue reading Review: “Mothlight” by Adam Scovell