"The landscape matters first and last for its own sake. It owes us nothing, yet it offers immeasurable rewards to those who revere it." April saw the publication of the third of Jim Crumley's seasonal nature studies. Following Autumn and Winter, we now have The Nature of Spring. Crumley is a well-established name in nature … Continue reading The Nature Writing of Jim Crumley
Category: Reviews
Zine review: ‘Weird Walk’ #1
A journal of wanderings and wonderings from the British Isles Weird Walk is the brainchild of Owen Tromans, Alex Hornsby and James Nicholls. It's only been available for a few weeks and is on a third print run already, which says something about the appetite for a slantwise look at our countryside. The introduction bears … Continue reading Zine review: ‘Weird Walk’ #1
Review: “Bird Cottage” by Eva Meijer
This book took me places I didn't expect it to. Firstly, I assumed it would be a biography: of Len Howard, who left everything behind in London to pursue a life dedicated to studying the behaviour of garden birds. I was intrigued. Then, when I discovered it was a fictional re-imagining of her life, I … Continue reading Review: “Bird Cottage” by Eva Meijer
The Renaissance of Nan Shepherd
Two nature writers, from different countries writing in different eras. Both were long dead and forgotten; their reputations languished, books long out of print. The last decade has seen the profile of each rising beyond what could ever have been expected in their lifetimes. Nan Shepherd and JA Baker: authors of the two finest works … Continue reading The Renaissance of Nan Shepherd
James Kelman
The Man Booker Prize is 50 years old in 2019. In that time, only one Scottish author has won. In 1994, in the prize's 25th anniversary year James Kelman's How Late It Was, How Late became the most controversial - and least likely - victor. The Booker Prize (as it was then called) is sometimes … Continue reading James Kelman
Review: “Tales from the Shadow Booth: Volume 3”
Oh, this is good. First, declarations of interest: I supported the initial Shadow Booth anthology on Kickstarter. There were some superb stories (Malcolm Devlin's 'Moths' in particular) but I wasn't impressed enough to buy volume 2 when it came out last year. If it's as good as volume 3 I'll be rectifying that shortly. Additionally, … Continue reading Review: “Tales from the Shadow Booth: Volume 3”
Review: “Hollow Shores” by Gary Budden (2017)
Some books just don't do it for you first time. Some never will, and you have to acknowledge that. Others leave spore-like traces that may not germinate for months or even years, but will eventually bring you back to them. Hollow Shores is one such for me. Published in 2017 by indie press Dead Ink, … Continue reading Review: “Hollow Shores” by Gary Budden (2017)
Marguerite Duras
Alma continue their attractive re-packaging of the Calder backlist1 with The Garden Square, one of the lesser-known gems by Marguerite Duras, best known for The Lover (l'Amant) and the screenplay for Alain Resnais's Hiroshima Mon Amour. Although grouped with the 1950s French nouveau roman, her work eschews the formal innovation of Butor or Alain Robbe-Grillet. … Continue reading Marguerite Duras
Review: “Mothlight” by Adam Scovell
I don't know where he finds the time. Adam Scovell is a film-maker, has just completed his PhD, writes articles for the BFI, runs the award-winning Celluloid Wicker Man blog, writes short stories, wrote the definitive book on Folk Horror and has now published his first full-length work of fiction. The short fictions on his … Continue reading Review: “Mothlight” by Adam Scovell
Review: “Ghostly: A Collection of Ghost Stories” (ed. Audrey Niffenegger)
Ghost stories are back! Of course they've never been away, but the interest in Folk Horror since the turn of the decade has helped their profile to slowly rise. In addition, each Christmas the BBC now either produces a new adaptation of a classic ghost story; an original (viz. Mark Gatiss's highly enjoyable The Dead … Continue reading Review: “Ghostly: A Collection of Ghost Stories” (ed. Audrey Niffenegger)










