Copy supplied for review Helen Grant's previous book Too Near The Dead was a thoroughly absorbing ghost story, and well worth a read. Her new novel Jump Cut is, I'm pleased to say, even better. Writer Theda Garrick is fortunate enough to have succeeded where others appear to have failed, and gained access to elderly … Continue reading Review: ‘Jump Cut’ by Helen Grant (2023)
Stephen King famously wrote in Danse Macabre, his 1981 study of the horror genre, "I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I'll go for the … Continue reading Horror Rewind #9 – ‘Spawn’ by Shaun Hutson (1983)
TV shows had scared me before. But nothing had ever given me the true sense of awe that Close Encounters did (and, largely, still does) the first time I saw it. That's awe in the Romantic sense of the sublime, in which it borders on terror. Every time I watch the film, there's some new … Continue reading First Frights: ‘Close Encounters of the Third Kind’ (1977)
Hello! An unexpected burst of creativity. I'd finished the sixth, and longest, Engineer story (see previous #AmWriting post) and was taking a breather to build up the energy and ideas for the next one. Suddenly, I had an idea for a novella: almost the entire story came to me in a few minutes. I wrote … Continue reading #AmWriting…differently
Hello; it's been a while (again). The book reviewing has taken a back seat, largely because Horrified closed down at the end of last year, partly because I seem to have lost enthusiasm for reviewing (for now, at least), and partly because all my creative energies have been spent writing my own fiction, which is … Continue reading I still #AmWriting
No, not that Mark Ronson. Not Uptown Funk Mark Ronson. The Ghoul is an odd one. A bit like The Pet, it’s a book clearly marketed by the publishers as a pulp horror but which turns out upon reading to be a much more thoughtful, intelligently-written piece of fiction than the “pulp” label generally implies. … Continue reading Horror Rewind #8 – ‘The Ghoul’ by Mark Ronson (1980)
Books last. Okay, some books last. Some books are hailed upon publication and instantly attain 'classic' status; the reputation of others grows only slowly; still others appear and just as quickly vanish. Reputations, too. In the 'Horror Rewind' series I've looked at a selection of horror fiction from the 70s and 80s to examine how … Continue reading Horror rewind #7 – ‘Skeleton Crew’ magazine, July 1990
This review first appeared in Horrified magazine in 2021. Cavan Scott & Corin M. Howell’s addictive new horror/crime comic Shadow Service – featuring a detective with magical powers in the murky underworld of London – invites obvious comparisons with Ben Aaronovitch’s enjoyable Rivers of London series, and is, therefore, a welcome addition to a tradition … Continue reading Review: “Shadow Service” by Cavan Scott and Corin M. Howell
This review first appeared in Horrified magazine in 2021. The Folk Horror Chain was developed by writer and film-maker Adam Scovell in his essential guide to the sub-genre, Folk Horror: Hours Dreadful and Things Strange (2017). The chain consists of four ‘links’ which can be used (amongst other things) to help define a cultural artefact … Continue reading Review: “Harvest” by Julian Payne and Zoe Elkins
This review first appeared in Horrified magazine in 2022. Of the world’s ’empty spaces’, the polar regions have a long and distinguished place in horror fiction. From The Narrative of Arthur Gordon Pym (Edgar Allen Poe, 1838) to At The Mountains of Madness (HP Lovecraft, 1936), and from the TV drama The Terror (AMC, David … Continue reading Review: “All The White Spaces” by Ally Wilkes
Into the Gyre 