This short, sharp "micro-collection" is a wee gem. Author Dan Coxon is a name familiar to regular visitors to the Gyre, as the editor of the ever-reliable Tales From the Shadow Booth collections (volumes 3 and 4 reviewed), and the excellent This Dreaming Isle anthology of weird landscape fiction. The horticulturally-themed Green Fingers is number … Continue reading Review: “Green Fingers” by Dan Coxon
I write about a variety of themes on this blog, and though I have a deep love of music I try to avoid writing about it because that's not what the Gyre is about. I've made a few exceptions before but this piece almost fits with the site's other interests. For over twenty years I've … Continue reading Drexciya v Cthulhu
Imagine "The Littlest Hobo" written by Ted Hughes... Marney the Fox was a two-page b&w comic strip featured in Buster from 1974-1976. It's been collated and nicely reprinted by Rebellion comics, who did a similarly good job on The Beatles Story (and other lost UK comic serials). Marney is a fox cub, orphaned in the … Continue reading Rural horror for kids! – “Marney the Fox”
"At last, the night has a hero" - Cabal strapline. I've written elsewhere about the anticipation my friends and I felt in the months before the release of Clive Barker's second feature film Nightbreed in the autumn of 1990. Not that we got to see it: an unimpressive box-office in America meant it only got … Continue reading At last…Clive Barker’s ‘Nightbreed’ (1990/2014)
Just 6 months after the superb volume 3 of Tales from the Shadow Booth (which I reviewed here), "the international journal of weird and eerie fiction", Dan Coxon brings us another. And its just as good: that's all you really need to know. But if you want more, read on... It begins, as all trips … Continue reading Review: “Tales from the Shadow Booth: Volume 4”
Bernard Rose's 1992 film horror Candyman was adapted by him from Clive Barker's 1985 short story "The Forbidden", published in volume 5 of the groundbreaking Books of Blood. Candyman transports the action from Barker's Liverpool to Chicago, specifically to the "projects" (US term for "housing scheme") of Cabrini-Green. In addition to the source material's look … Continue reading Clive Barker: “Candyman”, “The Forbidden”, Place, Race & Time
Oh, this is good. First, declarations of interest: I supported the initial Shadow Booth anthology on Kickstarter. There were some superb stories (Malcolm Devlin's 'Moths' in particular) but I wasn't impressed enough to buy volume 2 when it came out last year. If it's as good as volume 3 I'll be rectifying that shortly. Additionally, … Continue reading Review: “Tales from the Shadow Booth: Volume 3”
Ghost stories are back! Of course they've never been away, but the interest in Folk Horror since the turn of the decade has helped their profile to slowly rise. In addition, each Christmas the BBC now either produces a new adaptation of a classic ghost story; an original (viz. Mark Gatiss's highly enjoyable The Dead … Continue reading Review: “Ghostly: A Collection of Ghost Stories” (ed. Audrey Niffenegger)
Or, Weird Fiction Against Brexit. That's too reductive a description but the timing of this publication - and editor Dan Coxon's impassioned introduction - mean it's not entirely flippant and not entirely inappropriate. Coxon was angered by Paul Kingsnorth's right-wing reading of Paul Wright's stunning 'Arcadia', a reading which "moves away from the weird, unsettling … Continue reading Fragile Remnants Buried Deep: “This Dreaming Isle” anthology
It isn't writer's block. Stephen King once wrote about a story "being dead even as the words continue to march across the page", and I hope it isn't that, either. I think all that's happened is a loss of momentum. I've stalled. The folk-horror work was going well, until I went on holiday. But the … Continue reading Where have all the words gone?
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