Horror Rewind #4 – “Prime Evil” (ed. Douglas E. Winter) (1988)

Or should that be "Anti-Horror Rewind"? American lawyer Douglas E. Winter made his literary name with one of the first book-length studies of Stephen King's work (The Art of Darkness), and in 2001 wrote the authorised biography of Clive Barker (The Dark Fantastic). In between, he edited (although curated may be a more appropriate term) … Continue reading Horror Rewind #4 – “Prime Evil” (ed. Douglas E. Winter) (1988)

Review – “Winter Freits” by Andrew David Barker (2019)

I recently reviewed Dan Coxon's great little horror micro-anthology from Black Shuck books, Green Fingers. Impressed, I took a punt on another from their "Shadows" series. There are 21 at time of writing, but there's little information on their website to allow you to choose one over another, other than cover art (their jacket design … Continue reading Review – “Winter Freits” by Andrew David Barker (2019)

Review: “Green Fingers” by Dan Coxon

This short, sharp "micro-collection" is a wee gem. Author Dan Coxon is a name familiar to regular visitors to the Gyre, as the editor of the ever-reliable Tales From the Shadow Booth collections (volumes 3 and 4 reviewed), and the excellent This Dreaming Isle anthology of weird landscape fiction. The horticulturally-themed Green Fingers is number … Continue reading Review: “Green Fingers” by Dan Coxon

#AmWriting – Fixing it in the Edit

So, one twelfth of 2020 has passed, and have I written any fiction so far this year? I have not. But, I have continued to work on the Reeds story I've written about before. My protagonist has a new name, which alone makes him feel a bit more alive and less of a cardboard cut-out. … Continue reading #AmWriting – Fixing it in the Edit

#AmWriting – Finding the story

So. A further update on my own fiction. As I wrote last month, I wasn't happy with the way that my first "reeds" story had turned out: lots of atmosphere at the expense of, well, anything else really. A sign that I'm likely to be happy with something - that it might even be good … Continue reading #AmWriting – Finding the story

Review: “Tales from the Shadow Booth: Volume 4”

Just 6 months after the superb volume 3 of Tales from the Shadow Booth (which I reviewed here), "the international journal of weird and eerie fiction", Dan Coxon brings us another. And its just as good: that's all you really need to know. But if you want more, read on... It begins, as all trips … Continue reading Review: “Tales from the Shadow Booth: Volume 4”

Review: “Tales from the Shadow Booth: Volume 3”

Oh, this is good. First, declarations of interest: I supported the initial Shadow Booth anthology on Kickstarter. There were some superb stories (Malcolm Devlin's 'Moths' in particular) but I wasn't impressed enough to buy volume 2 when it came out last year. If it's as good as volume 3 I'll be rectifying that shortly. Additionally, … Continue reading Review: “Tales from the Shadow Booth: Volume 3”

Review: “Hollow Shores” by Gary Budden (2017)

Some books just don't do it for you first time. Some never will, and you have to acknowledge that. Others leave spore-like traces that may not germinate for months or even years, but will eventually bring you back to them. Hollow Shores is one such for me. Published in 2017 by indie press Dead Ink, … Continue reading Review: “Hollow Shores” by Gary Budden (2017)

Review: “Ghostly: A Collection of Ghost Stories” (ed. Audrey Niffenegger)

Ghost stories are back! Of course they've never been away, but the interest in Folk Horror since the turn of the decade has helped their profile to slowly rise. In addition, each Christmas the BBC now either produces a new adaptation of a classic ghost story; an original (viz. Mark Gatiss's highly enjoyable The Dead … Continue reading Review: “Ghostly: A Collection of Ghost Stories” (ed. Audrey Niffenegger)

Fragile Remnants Buried Deep: “This Dreaming Isle” anthology

Or, Weird Fiction Against Brexit. That's too reductive a description but the timing of this publication - and editor Dan Coxon's impassioned introduction - mean it's not entirely flippant and not entirely inappropriate. Coxon was angered by Paul Kingsnorth's right-wing reading of Paul Wright's stunning 'Arcadia', a reading which "moves away from the weird, unsettling … Continue reading Fragile Remnants Buried Deep: “This Dreaming Isle” anthology