Is The Droving Folk Horror? I was asking myself this more and more the longer this (admittedly short¹) film went on. It certainly uses some familiar tropes: an outsider comes to a "remote" location; there are people wearing animal masks, and there are rumours of magic & ritual. Some moderate spoilers follow. Martin (a superb, … Continue reading …but is it Folk Horror? “The Droving” (2020)
Any discussion of Yukio Mishima's life and work has to deal, at some point, with his death. A right-wing nationalist appalled by the Western influence on Japanese society and culture, he tried to lead his own personal militia in a coup. It failed and Mishima immediately committed seppuku - ritual suicide - before (following the … Continue reading The Japanese Proust? Yukio Mishima
"At last, the night has a hero" - Cabal strapline. I've written elsewhere about the anticipation my friends and I felt in the months before the release of Clive Barker's second feature film Nightbreed in the autumn of 1990. Not that we got to see it: an unimpressive box-office in America meant it only got … Continue reading At last…Clive Barker’s ‘Nightbreed’ (1990/2014)
Bernard Rose's 1992 film horror Candyman was adapted by him from Clive Barker's 1985 short story "The Forbidden", published in volume 5 of the groundbreaking Books of Blood. Candyman transports the action from Barker's Liverpool to Chicago, specifically to the "projects" (US term for "housing scheme") of Cabrini-Green. In addition to the source material's look … Continue reading Clive Barker: “Candyman”, “The Forbidden”, Place, Race & Time
K-Punk collects blog posts and interviews from a twelve-year period (2004-2016) by cultural theorist and critic Mark Fisher. Fisher, who took his own life in early 2017, is a key voice in understanding the cultural and political malaise we find ourselves in. His three previous books are all essential reading for anyone wanting orientation in … Continue reading Mark Fisher: “K-Punk”
Into the Gyre 