The Nouveau Roman was a French Modernist literary movement of the 1950s whose antecedents were Joyce, Beckett and Proust. A common theme among the works produced by those writers grouped as nouveax romanistes were "discontinuity, rupture, difference and revolution"¹, and they defined themselves against "a dominant culture in thrall to a staid and anachronistic concept … Continue reading The “Nouveau Roman”: where to start?
In this final part of my study of Robbe-Grillet's early fiction, with today being what would have been his 95th birthday, I'll look at the novel which, for me, sees him reach the high-point of the nouveau-roman; and a series of experimental (in the true sense of the word) short fictions. By the time of … Continue reading Alain Robbe-Grillet: early fiction (part 3)
"There are no new tales, only new ways to tell." Clive Barker, in introducing Christopher Marlowe's renaissance drama Doctor Faustus, acknowledges that the challenge for the modern writer lies in the "shaping of a fresh and original interpretation of a story cast and re-cast several hundred times." The artist must drive "his imagination to new … Continue reading Killing the parents: Clive Barker’s “Hellraiser”