Happy 66th birthday to @RealCliveBarker My personal Top 10 of his novels at Into the Gyre
Tag: clive barker
1990: summer of cinema
This piece was an unsuccessful competition entry. The brief was "memories of cinema-going". Not for us the spurious joys of cider by the fountain, or Tennent’s behind the hut in the top park. The summer my friends and I turned sixteen we marked this coming-of-age by getting into the cinema to watch 18-rated films. With … Continue reading 1990: summer of cinema
In praise of brevity: Clive Barker’s “Cabal” and the anti-epic
Clive Barker’s 1988 novel Cabal is short: at 253 pages, padded out by chapter breaks and illustrations, it’s practically a novella. After the effort of writing the 700-odd pages of Weaveworld, this was a refreshing length for the author: "One of the interesting things about going to Cabal after [Weaveworld] was that I found a … Continue reading In praise of brevity: Clive Barker’s “Cabal” and the anti-epic
Killing the parents: Clive Barker’s “Hellraiser”
"There are no new tales, only new ways to tell." Clive Barker, in introducing Christopher Marlowe's renaissance drama Doctor Faustus, acknowledges that the challenge for the modern writer lies in the "shaping of a fresh and original interpretation of a story cast and re-cast several hundred times." The artist must drive "his imagination to new … Continue reading Killing the parents: Clive Barker’s “Hellraiser”
Flitting
Hello. Flitting. The word suggests transience: quick, uncertain movements. Not lingering. And maybe that’s what posts should be: snapshots of where your head is, nothing over-thought. But ‘flitting’ is also the word – in Scotland anyway – for moving house. That suggests a stay of a much longer duration, of certainty and purpose. The things … Continue reading Flitting





